You can start these anytime you're finished with your blog/journal/makeup/Big Question work and you're ready for your conference (or you've already had it). Please post your answers on your blog no later than midnight on Thursday (April 11).
1. What is the nature of Mrs. Mallard's "heart trouble,"
and why would the author mention it in the first paragraph? Is there any
way in which this might be considered symbolic or ironic?
2. The setting of the story is very limited; it is confined
largely to a room, a staircase, and a front door. How does this limitation
help to express the themes of the story?
3. In what ways is this passage significant? "She could see
in the open square before her house the tops of trees that were all aquiver
with the new spring life. The delicious breath of rain was in the air. In
the street below a peddler was crying his wares. The notes of a distant
song which some one was singing reached her faintly, and countless sparrows
were twittering in the eaves." What kinds of sensory images does
this passage contain, and what senses does it address? What does the vision
through the open window mean to her? Where else does she taste, smell, or
touch something intangible in the story?
4. What kind of relationships do the Mallards have? Is Brently
Mallard unkind to Louise Mallard, or is there some other reason for her saying
"free, free, free!" when she hears of his death? How does she feel about him?
5. Mrs. Mallard closes the door to her room so that her sister
Josephine cannot get in, yet she leaves the window open. Why does Chopin make
a point of telling the reader this? How might this relate to the idea of being
"free" and to the implicit idea that she is somehow imprisoned?
Do other words in the story relate to this idea?
6. What does Josephine represent in the story? What does Richards
represent?
7. Mrs. Mallard is described as descending the stairs "like
a goddess of Victory." In what ways does she feel herself victorious?
8. The last line of the story is this: "When the doctors came
they said she had died of heart disease-of joy that kills." In what
ways is this an ironic statement? What is gained by having the doctors
make such a statement rather than putting it in the mouths of Josephine
or Richards?
9. What view of marriage does the story present? The story was
published in 1894; does it only represent attitudes toward marriage in the
nineteenth century, or could it equally apply to attitudes about marriage
today?
10. If this is, in some sense, a story about a symbolic journey,
where does Mrs. Mallard "travel"?
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